Humor trickles out of it, recreates unitybroken by modern civilization of the surrounding world. The audience does not even have questions about how old Nikolai Dobrynin, because the image he found, like Shchukar, the creative find of Sholokhov, is eternal.
The naive ego of Mitya, his desire to be inthe focus of attention does not coincide with the real social status. He, with the air of a connoisseur, generously distributes the "advice inappropriately" to those around him, as well as Munchausen shares his "memories" with his interlocutors, loudly tells others about his views on life. But for some reason it is these stories from his mouth that are remembered, they turn out to be significant, they gain weight. Needless to say, the Honored Artist of Russia organically entered this image. In this article, we set ourselves a difficult goal - to trace the milestones of the biography of Nikolai Dobrynin.
Did he think in his childhood that he would become a film actor? Did the parents expect such a path for their second son? Hardly. Nikolay Dobrynin was born in Taganrog on August 17, 1963. Mom worked in trade, and my father was an investigator. Kolya's father was a gypsy by nationality. My grandmother lived on the daddy's line in a real gypsy camp. From childhood to school, Kolya lived with his grandmother, was free, like the wind, playing with the kids. It was a real gypsy freeman.
Dad died suddenly and paradoxically: just crossing the road at the junction, also to the green light. He was hit by an ambulance. Since childhood, Nikolai Dobrynin was forced to earn money. His working career began from the 6th grade: he made potato sacks (his grandmother-gypsy taught him this simple science), he made mailboxes, worked as a loader. Early departure of the father affected Nicholas. He did not finish music school: having finished his studies to the last grade, he had a conflict with the director.
When the sixth grader Kohl was on the scales, theyshowed a weight of 87 pounds. It was a III degree of obesity. He was terribly shy and complex. He was oppressed by the nickname given by his classmates, "Package." And when in the summer in the pioneer camp I had to bathe, he would enter the water in his shirt, hesitating to his chest, to put it mildly, non-Hellenic proportions.
Nikolai Dobrynin is still grateful to his elder brother Alexander, who fully took upon himself the burden of fatherly responsibility for education.
By the way, Alexander Nikolaevich Naumenko (they haveNicholas fathers are different) also “from God” got an outstanding creative potential and amazing performance, thanks to which he became a soloist of the Bolshoi Theater. His godfather was Svyatoslav Richter.
Alexander brought Nicholas to the school of ballroom dancing andstrictly watched him playing sports. To reduce weight, he built a running belt with lead inserts for Nikolai. “Poyasochek” weighed twenty kilograms, but for Kolya he seemed even heavier when he had to run up and down Petrovskaya Street.
About his studies in ballroom dancing DobryninNikolai Nikolayevich tells ironically. With the “Package”, the girls did not want to dance, and his first partner was a guy, a long one and in youthful acne. Don Quixote and Sancho Panza, as they were called, were the brand of the ball school. But later, when twenty kilograms "went off," the girl "was found herself."
Alexander, a student of the first year of the Conservatory, tookbrother to me in Moscow. He, as a maximalist, agreed, because the young man was left by her partner in ballroom dancing (thanks to her from the whole country). If it were not for this decision to go to Moscow - Kohl, like half of his classmates, most likely would have gone to the nautical school.
But it happened differently: he entered GITIS (workshop of L. Knyazeva, I. Sudakova), however, from the third attempt. In one thread, Nikolai studied with Vladimir Vinogradov and Dmitry Pevtsov.
The most disastrous was the first admission attempt. As soon as the young man with a terrible accent and the characteristic letter "G" said to the commission that he was from Taganrog, in response he heard: "Goodbye."
I didn't sit back between my receipts, I worked: mechanic, plumber, metrostroevtsem. But when Dobrynin, being already a “sparrow shot” among the applicants, passed the acting exams wherever he could, he was invited to study simultaneously in the Shchukin School, the Moscow Art Theater Theater, the Shchepkinsk School and GITIS. It was a kind of psychological revenge for all the previous fiasco.
The real "energizer" was Nikolai Dobrynin. His biography is filled with paradoxes: somehow he argued with his classmate Ksenia Larina (daughter of Andrei Barshev, a diplomat, later - the creator of Radio Nostalgia), and they got married to an argument. What a precedent: the diplomat's daughter marries a gypsy! To support the family, the student worked in the subway drain. A talented person is talented in everything, the drainage plant Nikolay metrostroy assigned the 6th grade, it was a virtuoso worker. However, student marriage existed for five years.
GITIS was completed in 1985. As the actor Nikolai Dobrynin recalls, the situation was paradoxical again: he was invited to seven theaters at once, he chose the Satirikon Theater, he wanted to work with Konstantin Raikin who is gaining momentum. The very spirit of this theater corresponded to the internal energy of the actor, and although Nikolai spent four years there in the crowd, he invariably positively recalls those years. In addition, there he happened to go on stage with a legend - Arkady Raikin (performance “Peace to Your House”).
Like any mummer, he craved not only hisviewer ", but also a million public Nikolai Dobrynin. His filmography began in the New Year's (1986) melodrama “The Right People” (directed by Vladimir Alenikov), where he played the builder Kohl. The following year, he played the role of the thief Vitka by the street nickname Gavrosh in the film directed by Pankratov. In 1989 came the role of Leva - Katsap (directed by Vladimir Alenikov).
In 1988, the actor Nikolai Dobrynin marries a second time. Anna Terekhova became his chosen one, Milady’s daughter Margarita Terekhova.
The marriage was (unfortunately, was) reallylove The fact that Anna is seven years younger was simply not noticed, because Nicholas, as we have said, is an energizer. He loved his wife dearly. Born son Michael. As Anna herself admits (of which she regrets), the gap occurred because of her (demand in the “Theater of the Moon”). Dobrynin, up to the age of 16, took care of and raised his son Misha, without meeting his ex-wife (he loved it, his soul was sick). Nikolai Dobrynin’s son Misha did not follow in the footsteps of his parents, he chose the profession of psychologist.
The actor is very respectful of his"Star-in-law". He thinks she is super. Margarita Terekhova’s peculiar litmus test paper for Dobrynin was the phrase dropped by Jane Fonda (starring with her in the movie “Blue Bird”): “Rita, I will never play like that!
But back to the main chronology of biography. The army was then "hoo-go" - a state in the state, it pulled into its bosom and talented athletes and young artists. After five years of acting, he joined the Moscow Air Defense Ensemble and Nikolai Dobrynin. As a creative person, he was released on leave to play at Satyricon. When he participated in one of the bushes, he was “found” by Roman Grigorievich Viktyuk. However, the military service of Nicholas also did not go like clockwork. The culprit was the ill-fated German Rust, who landed on Red Square. On the air defense they lowered all the dogs, the air defense ensemble was then disbanded, and Nicholas was sent “to serve” for a year in the usual drill unit.
After demobilization in 1989, Dobryninlucky enough to touch the great. “Satyrica’s” Satyricon’s performance of The Maids, where he played Claire, was privileged to open a new era in the history of the World Theater. Critics have called the "Maids" the renewed manifesto of theatricality.
In 1993, he played the role of Misha Rajewski inthe film of S. Ursulyak "Russian Regtime" (plot plot: fooling youth breaks the red flag). This is indeed a dramatic role that led his hero to the choice: to betray and substitute under the "punishing sword of Soviet Law" or remain decent, but to suffer himself. The actor's game was recognized at the Constellation-94 film festival as the best male role. The role of Kolya Dolgushin in the detective story “Kings of the Russian Detective”, Gordanov in the drama “On Knives”, Zheni in “The White Dance” did not pass unnoticed by the audience.
In 2004, the actor broke off his collaboration withRoman Viktyuk Theater. The latter was a forced step. It is not given to man to simultaneously burn to the ground on the stage in “The Master and Margarita”, “Solomei” and fully correspond to the demand for cinema. His work was delayed in the TV series "Life is a field for hunting", "The Chess Player", "Amapola". There was a conversation with the director-master, where they decided: to take a break, for three years.
Objectively speaking, to play such an amountfilm rolls, how many of them fell to Dobrynin, not everyone is given. No wonder Roman Viktyuk called Nicholas "not strong, but seven-family." Indeed, the satirikonov credo formulated by Konstantin Raikin, “Work until the aortic rupture” was deeply and organically perceived by Nikolai Dobrynin. The growth of his creative potential is obvious. The actor was ready for the flow of directorial proposals in connection with the renaissance of Russian cinema. Almost a decade, he plays 4-5 roles annually! Lives between St. Petersburg and Moscow. But in 2013 he played in 7 film works: “Caucasian Captive-2”, “Scout”, “Stanitsa”, “Molodezhka”, “Petr Leschenko: everything that happened”, “New Year's Fuss”.
However, the love of the theater does not leave him. Since 2007, he is again listed as a theater actor. But plays for the soul: several roles in the Theater Center on Kolomna (the performances of “Maupassant in Love” and “Pajamas for Six”).
In 2002, married for the third time 45-year-oldNikolai Dobrynin. Personal life brought him together with Ekaterina Komisarova. A fan of the actor worked as a flight attendant while visiting all his performances. Once Katya took courage and went backstage to give flowers to her idol. Nicholas was out of sorts and rejected the flowers, but then caught up with the offended girl.
In 2008, their daughter Nina was born. For 10 years, God did not give Dobrynin a child. As Nikolai himself tells, together they begged the daughter. There was a period in his work when he led a program about Orthodoxy, about temples. Removing the program, he happened to visit the St. Thecla's Damascus monastery. In this temple, believers ask for the birth of children. Having prayed, mother presented Dobrynin with a special monastic belt. Such belts are worn by women who want to have a child, and they take it off after the onset of pregnancy. Kate had to wear a belt only two months.
Now Catherine works as an assistant director atRoman Viktyuk. Spouses have built a family nest in St. Petersburg. Nikolai Dobrynin considers him related to his native Taganrog: both of them are the brainchild of Peter I. Both of them are cities of the sea. He likes the rhythm of life of Peter the Grad, and Peterhof, Pavlovsk, Pushkin Nikolai knows as if he were a native Leningrad citizen.
However, for convenience, the Dobrynin spouses also have an apartment in Moscow where they work. Such is their rhythm of life and work: they travel along the route Moscow-Petersburg together.
Finishing the article, I want to go back toThe hero Dobrynin, especially loved by the audience. The actor’s impressive “track record” eventually led him to an undeniable creative discovery. Millions of Russians get pleasure from the way Nikolay Dobrynin uniquely presents the image of Mitya Bukhankin, an “matured child”, which is dear mainly for what it is in itself.
Conceived by the director as a secondary imageMitya due to the personal charm of the actor came to the fore in the series "Matchmakers". Contrary to the logic of the script, Nikolai Dobrynin “beat” the main actors, just as Bronevoy once beat Tikhonov. In fact, he created a brand with his role, prepared the potential for the following filmmakers.
Formally, the Honored Artist of Russia (2002) became de facto popular.
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