Italian opera singer
Cecilia BartoliOMRI (Italian:[tʃeˈtʃiːljaˈbartoli]; born 4 June ) is an Italian mezzo-soprano widely known in the music of Bellini, Handel, Mozart, Rossini and Vivaldi and for lesser-known music of the Baroque and Classical periods. She has also sung soprano and alto repertory.
Bartoli is considered a singer with an unusual timbre. According to Nicholas Wroe in , her voice was known for its "fully developed sumptuousness of the lower register, the vibrancy of the middle rangethe top was limpid and powerful", and she was one of the most popular opera singers of recent years.[1]
Bartoli was born in Rome. Her parents, Silvana Bazzoni and Pietro Angelo Bartoli, were professional singers and gave her her first music lessons. She first performed publicly at age nine as the shepherd boy in Tosca.[2][1] Bartoli later studied at the Conservatorio di Santa Cecilia in Rome.[3] At the age of 19, she made her singing debut on the Italian television show Fantastico. She did not win the competition but was asked to sing with Paris Opera for an homage concert for Maria Callas.[citation needed]
Bartoli made her professional opera debut in at the Arena di Verona. The following year she undertook the role of Rosina in Rossini's The Barber of Seville at the Cologne Opera, the Schwetzingen Festival and the Zurich Opera earning rave reviews.[3] Working with conductors Daniel Barenboim and Nikolaus Harnoncourt, Bartoli focused on Mozart roles, such as Zerlina in Don Giovanni and Dorabella in Così fan tutte, and from then on her career developed internationally.[3]
In , she made her debut at the Opéra Bastille as Cherubino in Mozart's The Marriage of Figaro and her debut at the Hamburg State Opera as Idamantes in Mozart's Idomeneo, followed by her La Scala debut as Isolier in Le comte Ory in , a performance that solidified her reputation as one of the world's leading Rossini singers.[3]
In , Bartoli made her debut at the Metropolitan Opera as Despina in Così fan tutte and returned in to sing the title role of La Cenerentola and in to sing the role of Susanna in The Marriage of Figaro. In , she sang in another Mozart soprano role, Donna Elvira in Don Giovanni, at the Deutsche Oper Berlin. In , she made a long-awaited Royal Opera House debut, taking the roles of Euridice and the Genio in the London stage premiere of Haydn's L'anima del filosofo.[3]
She is foreign member of the Royal Swedish Academy of Music.[4]
In addition to Mozart and Rossini, Bartoli has spent much of her career performing and recording Baroque and early Classical era music by such composers as Gluck, Vivaldi, Haydn and Salieri. In early , she sang Cleopatra in Handel's Giulio Cesare. She often performs with the Baroque ensemble Il Giardino Armonico.[a]
In , Bartoli produced a project entitled Mission, which premiered the works of Agostino Steffani, a lesser-known Baroque composer. Bartoli produced the music of the composer in CD form as well as an extended music video that portrays her as the priest-composer Agostino in the palace of Versallies. The video is known for its historic and visual accuracy of the Baroque period. Cecilia Bartoli's performance and production of Mission reflect the music and aesthetic of Steffani's time period through the setting, wardrobe, and cinematography."[5]
In /08, Bartoli devoted her time to studying and recording the early 19th-century repertoire – the era of Italian Romanticism and bel canto – and especially the legendary singer Maria Malibran, the th anniversary of whose birth was celebrated in March The album Maria was released in September In May , Bartoli sang the title role written for Malibran in a revival of Fromental Halévy's opera Clari at the Zurich Opera.[6] In June , she sang the title role of Bellini's Norma for the first time with conductor Thomas Hengelbrock in a concert at the Konzerthaus Dortmund.[7] In March , Bartoli toured five Australian cities with two programs drawn from Sacrificium and Maria.[8]
In , Bartoli became the artistic director of the Salzburg Whitsun Festival, an extension of the traditional Salzburg Festival, which produces performances during Whitsun (Pentecost) weekend. Forgoing the academic programming of her predecessors, she reformulated the festival's programming&#;returning to "the old recipe of organizing beautiful programs and inviting great artists"&#;resulting in record ticket sales and placing the festival on the international opera calendar. In , she sang Cleopatra in Handel's Giulio Cesare, in the title role in Vincenzo Bellini's Norma, and in Rossini's La Cenerentola.[9]
In December , it was announced that Bartoli would succeed Jean-Louis Grinda as the director of the Opéra de Monte-Carlo, effective on 1 January [10][11] She became the first woman to hold the position.[12]
Bartoli lives with her husband, the Swiss bass-baritoneOliver Widmer, in Zollikon on the north shore of Lake Zurich, Switzerland, and in Rome part of the year. The couple married in after twelve years together.[13] Bartoli lived in Monaco in the early s.[14]
Bartoli was appointed Chevalier of the French Ordre des Arts et des Lettres (), and Commander of Monaco's Order of Cultural Merit (November ).[15]
In , she received the Brit Award for Outstanding Contribution to Music at the Classic Brit Awards.
In , she was awarded the Honorary Degree of Doctor of Music from University College Dublin.[16]
In , she won a fifth Grammy Award for Best Classical Vocal Performance for Sacrificium.[17] In , she was voted into the magazine's Gramophone's Hall of Fame.[18] She is the recipient of the Herbert von Karajan Music Prize.